About Exodus: Gods And Kings

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Comment For Exodus: Gods And Kings Full Movie En Francais

Name : Joe Neumaier / Alias : New York Daily News
This eye-rollingly bad movie is silly, sluggish and miscast.

Name : Stephen Farber / Alias : Hollywood Reporter
No movie with such a limp ending can be fully satisfying, and the beginning also falters. But the long middle section is a rousing good show.

Name : Linda Barnard / Alias : Toronto Star
Director Ridley Scott ticks the visual "epic" box with Exodus: Gods and Kings, but leaves emotion in the dust by trading spectacle for a compelling story.

Name : Chris Vognar / Alias : Dallas Morning News
Admirably cogent, even colloquial, Exodus plows through its stages efficiently, methodically and without much Old Testament passion.

Name : Amy Nicholson / Alias : L.A. Weekly
Ridley Scott can't decide if making rivers run with blood is heroic or horrific - you sense he'd rather make Gladiator II: Attack of the Frogs.

Name : Randy Myers / Alias : San Jose Mercury News
What this 3-D extravaganza gets spectacularly right is in putting the epic back into the biblical epic.

Name : Michael Phillips / Alias : Chicago Tribune
Momentous conversations periodically grind any retelling of the Moses story to a halt, but Scott keeps his head down, plows through and then gets out of the way while visual effects supervisor Peter Chiang and his slave army take it on home.

Name : Rafer Guzman / Alias : Newsday
"Exodus" turns out to be part of a time-honored tradition: the old-fashioned, super-spectacular Hollywood bomb.

Name : Richard Roeper / Alias : Richard Roeper.com
'Exodus: Gods and Kings' is spectacular.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
Exodus: Gods and Kings is as uneven as Ridley Scott's career; at times, it seems to be a journey through the director's greatest strengths and weaknesses. The good news is that his strengths eventually win out .

Name : A.O. Scott / Alias : New York Times
"Exodus" is ludicrous only by accident, which isn't much fun and is the surest sign of what we might call a New Testament sensibility at work. But the movie isn't successfully serious, either.

Name : Ignatiy Vishnevetsky / Alias : AV Club
At least DeMille knew how to put on a show; the best this offers are a few bursts of Old Testament camp .

Name : Justin Chang / Alias : Variety
The result feels less like a straightforward retread of the biblical narrative than an amped-up commentary on it: This "Exodus" comes at you in a heady and violent onrush of incident .

Name : James Berardinelli / Alias : ReelViews
The screenplay (credited to four screenwriters) is a mess, the pacing is uneven, the acting is inconsistent, and the experience as a whole is a letdown.

Name : Tom Long / Alias : Detroit News
"Exodus" is an exercise in visual trickery that reaches for nothing beyond the obvious.

Name : Ty Burr / Alias : Boston Globe
"Exodus: Gods and Kings" does a fair job of giving us what might be called The Second-Greatest Story Ever Told. What it never convinces us of is why.

Name : Rene Rodriguez / Alias : Miami Herald
This is spectacular entertainment, practically a theme park ride, that could have used more spirituality and soul.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
An even better special effect would have been having a main cast that actually reflects the Mediterranean/North African desert environment.There are darker-skinned actors on the screen, though they just happen to be all slaves, servants and soldiers.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Moses is imagined as if Scott met him on an awkward first date.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Before you're able to get too distracted by Exodus' flaws, Scott reaches back into his bag of pixie dust and whips up another grand illusion.

Name : Lou Lumenick / Alias : New York Post
An utterly clueless, relentlessly grim and rambling action epic guaranteed to displease devout Jews, Christians and Muslims alike, amuse atheists - and generally bore everyone.

Name : Alonso Duralde / Alias : TheWrap
You'll leave humming the plagues.

Name : David Ehrlich / Alias : Time Out New York
The ultimate takeaway is that if you can't finance a $140 million epic about ancient Egypt with racially appropriate actors, maybe you shouldn't make a $140 million epic about ancient Egypt.

Name : Bill Goodykoontz / Alias : Arizona Republic
"Exodus: Gods and Kings" has drawn fire for casting White actors in the major roles, but don't get too bogged down in that. Really, that's hardly the only reason to not like it.

Name : Stephen Whitty / Alias : Newark Star-Ledger
A mish-mash - part half-committed melodrama, part half-thought-out political provocation.

Name : Mick LaSalle / Alias : San Francisco Chronicle
After a strong opening and a sagging middle, "Exodus: Gods and Kings" regains its stride and surpasses itself in the last third, when the God of Abraham unleashes a series of calamities on Egypt and the royal household.

Name : Mark Jenkins / Alias : NPR
Crowd-wowing CGI spectacle and the inevitable if inconsequential 3-D effects make Exodus look like pure product, without any defining vision.

Name : Christopher Orr / Alias : The Atlantic
This is the first portrayal of God I've ever encountered who looked like he could use a good spanking.

Name : Soren Anderson / Alias : Seattle Times
Its grandiose set pieces feel empty and imitative (Scott pulled off this kind of thing much more successfully in "Gladiator"), and the whole picture feels glitzy and hollow at the core.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
We have no idea. What's the point of a Moses movie without a message from the mountaintop? Scott has broken the second commandment of a Bible movie: Have something to say and someone majestic to say it.

Name : Joe Morgenstern / Alias : Wall Street Journal
For all of the care and imagination that have been lavished on the production. the film's impact is best expressed by frequent aerial shots that are visually impressive and emotionally remote.

Name : Stephanie Merry / Alias : Washington Post
It's understandable that people were angry about the whitewashing of Egypt. But no aspiring actor of color should think of this as an opportunity missed so much as a bullet dodged.

Name : Christy Lemire / Alias : RogerEbert.com
A numbing and soulless spectacle of 3-D, computer-generated imagery run amok, Ridley Scott's "Exodus: Gods and Kings" presents an enduring tale by pummeling us over the head with it.

Name : Kenneth Turan / Alias : Los Angeles Times
Scott is nothing if not a master orchestrator of chaos, and, both intentionally and otherwise, "Exodus: Gods and Kings" offers plenty of that.

Name : Peter Travers / Alias : Rolling Stone
Scott departs from Scripture enough to raise hackles. For example, this Moses sees God in the person of an insolent schoolboy (Isaac Andrews).

Name : Steven Rea / Alias : Philadelphia Inquirer
Computer-generated imaging has advanced spectacularly over the decades, but moviegoers, and gamers, have been there every step of the way. Miracles aren't as impressive as they used to be.

Name : Liam Lacey / Alias : Globe and Mail
While the pale skin tones (bronzer is selectively applied) and haphazard mix of American and British accents is distracting, it barely scratches the surface of Exodus's ungainly artificiality.

Name : Jake Coyle / Alias : Associated Press
For an epic, there are, at best, only two clearly seen characters in Exodus.

Name : Claudia Puig / Alias : USA Today
Bland, overly long and otherwise forgettable.

Name : J. R. Jones / Alias : Chicago Reader
The movie works well as big-budget spectacle despite a ho-hum script.

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About The Hobbit: The Battle Of The Five Armies

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Name : Randy Myers / Alias : San Jose Mercury News
While it's true that none of the "Hobbit" films were as good as any in the "Rings" trilogy, "The Five Armies" at least comes closest to capturing Tolkein's essence. And in this instance that is good enough.

Name : Betsy Sharkey / Alias : Los Angeles Times
Five armies are too many.

Name : Peter Howell / Alias : Toronto Star
What looked like indulgent folly at the outset now seems closer to epic justification, as Peter Jackson's The Hobbit trilogy draws to a rousing close.

Name : Wesley Morris / Alias : Grantland
Untold manpower, pixels, and money culminate in the gangbusters final installment. It can't redeem the useless tedium of the first two, which exist for gargantuan profits and structural necessity.

Name : Inkoo Kang / Alias : TheWrap
"The 144-minute running time showcases Jackson's worst tendencies: eons-long battle scenes, sloppy and abrupt resolutions, portentous romances, off-rhythm comic timing, and, newly in this case, patience-testing fan service."

Name : Tom Long / Alias : Detroit News
Well, at least there won't be another one for a while.

Name : Jake Coyle / Alias : Associated Press
The magic, fleeting to start with, is mostly gone.

Name : Jonathan L. Fischer / Alias : Slate
It may occasionally seem to be aware of its undiluted preposterousness, but that hardly eases the experience of sitting through its endless cartoonish action sequences and overwrought emotional payoffs.

Name : Todd McCarthy / Alias : Hollywood Reporter
Third time's a charm for the mammoth screen version of Tolkien's little persons' odyssey.

Name : Chris Nashawaty / Alias : Entertainment Weekly
While more than enough praise has been poured on Jackson and his singular gift for CG spectacle, Martin Freeman deserves some credit for lending humor and humanity to what could have been a numbing orgy of pixelated mayhem.

Name : James Berardinelli / Alias : ReelViews
The best film of The Hobbit's three, this final installment is closer in quality to The Lord of the Rings than to its immediate predecessors.

Name : Nicolas Rapold / Alias : New York Times
Bilbo may fully learn a sense of friendship and duty, and have quite a story to tell, but somewhere along the way, Mr. Jackson loses much of the magic.

Name : John Semley / Alias : Globe and Mail
It plays out as if someone chucked a whole bunch of carefully detailed Warhammer figurines into a centrifuge - goblins, goats, dwarfs, wizards and wolves bouncing off one another in waves of alternating tedium and punishment.

Name : Ty Burr / Alias : Boston Globe
Jackson has marched the modern fantasy-action epic into a thundering blind alley; the movie exhausts your senses without ever engaging your imagination.

Name : Joe Neumaier / Alias : New York Daily News
There's far too many moments of sabre-rattling, and too much confusion about who is aligned with whom, and why. Those who know and love Tolkien's texts will have a vested interest. Everyone else may grow restless.

Name : Bruce Ingram / Alias : Chicago Sun-Times
Fighting - presented with Jackson's usual double helpings of visual splendor, emotional oomph and low-key comedy - is what "Battle of the Five Armies" is all about.

Name : Andrew O'Hehir / Alias : Salon.com
Considered as contemporary CGI-driven action-adventure cinema, and as the template for a new generation of video games, they are rich and entertaining. Even in the decadent phase of his genius, Jackson remains an expert world-builder and image-maker.

Name : Kerry Lengel / Alias : Arizona Republic
Tolkien's richly imagined novels served as the template for an entire genre of "epic fantasy," and the opportunity to spend a final 144 minutes inside that world . is more than worth the price of a 3-D movie ticket.

Name : Rene Rodriguez / Alias : Miami Herald
OK, Mr. Jackson, you proved your point by landing the big finish. Now please, no more Middle-earth, ever.

Name : Mary Ann Gwinn / Alias : Seattle Times
The best of the three "Hobbit" movies, moving from an enjoyable action/battle movie with fantastic visuals into the realm of authentic tragedy.

Name : Rafer Guzman / Alias : Newsday
A passably satisfying ending to a franchise that has always seemed a little like a bonus DVD.

Name : Claudia Puig / Alias : USA Today
The final installment of the Hobbit trilogy is the best, featuring more spectacular action scenes as well as the series' most emotionally resonant moments.

Name : Drew Hunt / Alias : Chicago Reader
Mindless CGI spectacle overpowers every aspect of Peter Jackson's concluding Tolkien adaptation; like the other installments of this lumbering trilogy, it's more tech-demo than movie.

Name : Mick LaSalle / Alias : San Francisco Chronicle
[Freeman] could have made a great Bilbo. Instead he's the one thing that has made this trilogy bearable.

Name : Michael O'Sullivan / Alias : Washington Post
Jackson's storytelling at this point is so driven by green-screen trickery and digital legerdemain that he seems to have forgotten about human emotion.

Name : Joe Morgenstern / Alias : Wall Street Journal
The pleasure is intense, and mixed with awe. There is majesty here, and not just because we're in the presence of magnificently regal madness.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
Whose story is this? There's an old saying that history is written by the winners. The screenplay for "The Hobbit: The Battle of the Five Armies" must have been written by elves.

Name : Peter Travers / Alias : Rolling Stone
Talk about beating a dead orc. In dutifully completing his prequel trilogy to his Lord of the Rings triumph, Peter Jackson has sadly saved the worst for last. The Battle of the Five Armies is 20 percent inspiration, 80 percent desperation.

Name : Scott Foundas / Alias : Variety
The result is at once the trilogy's most engrossing episode, its most expeditious (at a comparatively lean 144 minutes) and also itsdarkest - both visually and in terms of the forces thatstir in the hearts of men, dwarves and orcs alike.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It was too much, and it was not enough.

Name : Alan Scherstuhl / Alias : Village Voice
It's sad that Hollywood filmmaking is so often about attempting to put the dreams of children onto our screens, but shouldn't it still be notable when someone actually manages it?

Name : Richard Corliss / Alias : TIME Magazine
If The Hobbit doesn't equal the achievement of Jackson's earlier Middle-earth movies - and, honestly, what could? - it is still, in sum, a thrilling effort.

Name : Steven Rea / Alias : Philadelphia Inquirer
If you want to see a Renaissance faire turned into an apocalyptic battlefield, this is the ticket.

Name : John Wenzel / Alias : Denver Post
It's a big, bold, schizophrenic pageant that still manages to work on a surprising number of levels - creative liberties and indulgences be damned.

Name : Kyle Smith / Alias : New York Post
It's adequately visionary, it's routinely spectacular, it breathes fire and yet somehow feels room-temperature.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It's designed to leave the audience drained and exhilarated, and from its opening scenes of exploding awesomeness there's no looking back.

Name : Tom Huddleston / Alias : Time Out
More battles, more creatures, more not-quite-comical asides, more stern speechifying and more gob-smackingly elaborate action set pieces.

Name : Michael Phillips / Alias : Chicago Tribune
By the second hour of The Battle of the Five Armies, the visual approach becomes a paradox: monotonously dynamic epic storytelling.

Name : Christopher Orr / Alias : The Atlantic
What is perhaps most depressing about Jackson's swollen Hobbit enterprise is the way it retrospectively diminishes his Lord of the Rings trilogy.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
This third installment of The Hobbit trilogy is allegedly the shortest of all of Peter Jackson's Tolkien films, but my theater must have been orbiting a black hole because I could swear it swallowed up 20 years of my life.

Name : A.A. Dowd / Alias : AV Club
All this plot unfolds like obligation, a paragraph of book-report summary bulked up to feature length.

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