About The Hobbit: The Battle Of The Five Armies

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Name : Randy Myers / Alias : San Jose Mercury News
While it's true that none of the "Hobbit" films were as good as any in the "Rings" trilogy, "The Five Armies" at least comes closest to capturing Tolkein's essence. And in this instance that is good enough.

Name : Betsy Sharkey / Alias : Los Angeles Times
Five armies are too many.

Name : Peter Howell / Alias : Toronto Star
What looked like indulgent folly at the outset now seems closer to epic justification, as Peter Jackson's The Hobbit trilogy draws to a rousing close.

Name : Wesley Morris / Alias : Grantland
Untold manpower, pixels, and money culminate in the gangbusters final installment. It can't redeem the useless tedium of the first two, which exist for gargantuan profits and structural necessity.

Name : Inkoo Kang / Alias : TheWrap
"The 144-minute running time showcases Jackson's worst tendencies: eons-long battle scenes, sloppy and abrupt resolutions, portentous romances, off-rhythm comic timing, and, newly in this case, patience-testing fan service."

Name : Tom Long / Alias : Detroit News
Well, at least there won't be another one for a while.

Name : Jake Coyle / Alias : Associated Press
The magic, fleeting to start with, is mostly gone.

Name : Jonathan L. Fischer / Alias : Slate
It may occasionally seem to be aware of its undiluted preposterousness, but that hardly eases the experience of sitting through its endless cartoonish action sequences and overwrought emotional payoffs.

Name : Todd McCarthy / Alias : Hollywood Reporter
Third time's a charm for the mammoth screen version of Tolkien's little persons' odyssey.

Name : Chris Nashawaty / Alias : Entertainment Weekly
While more than enough praise has been poured on Jackson and his singular gift for CG spectacle, Martin Freeman deserves some credit for lending humor and humanity to what could have been a numbing orgy of pixelated mayhem.

Name : James Berardinelli / Alias : ReelViews
The best film of The Hobbit's three, this final installment is closer in quality to The Lord of the Rings than to its immediate predecessors.

Name : Nicolas Rapold / Alias : New York Times
Bilbo may fully learn a sense of friendship and duty, and have quite a story to tell, but somewhere along the way, Mr. Jackson loses much of the magic.

Name : John Semley / Alias : Globe and Mail
It plays out as if someone chucked a whole bunch of carefully detailed Warhammer figurines into a centrifuge - goblins, goats, dwarfs, wizards and wolves bouncing off one another in waves of alternating tedium and punishment.

Name : Ty Burr / Alias : Boston Globe
Jackson has marched the modern fantasy-action epic into a thundering blind alley; the movie exhausts your senses without ever engaging your imagination.

Name : Joe Neumaier / Alias : New York Daily News
There's far too many moments of sabre-rattling, and too much confusion about who is aligned with whom, and why. Those who know and love Tolkien's texts will have a vested interest. Everyone else may grow restless.

Name : Bruce Ingram / Alias : Chicago Sun-Times
Fighting - presented with Jackson's usual double helpings of visual splendor, emotional oomph and low-key comedy - is what "Battle of the Five Armies" is all about.

Name : Andrew O'Hehir / Alias : Salon.com
Considered as contemporary CGI-driven action-adventure cinema, and as the template for a new generation of video games, they are rich and entertaining. Even in the decadent phase of his genius, Jackson remains an expert world-builder and image-maker.

Name : Kerry Lengel / Alias : Arizona Republic
Tolkien's richly imagined novels served as the template for an entire genre of "epic fantasy," and the opportunity to spend a final 144 minutes inside that world . is more than worth the price of a 3-D movie ticket.

Name : Rene Rodriguez / Alias : Miami Herald
OK, Mr. Jackson, you proved your point by landing the big finish. Now please, no more Middle-earth, ever.

Name : Mary Ann Gwinn / Alias : Seattle Times
The best of the three "Hobbit" movies, moving from an enjoyable action/battle movie with fantastic visuals into the realm of authentic tragedy.

Name : Rafer Guzman / Alias : Newsday
A passably satisfying ending to a franchise that has always seemed a little like a bonus DVD.

Name : Claudia Puig / Alias : USA Today
The final installment of the Hobbit trilogy is the best, featuring more spectacular action scenes as well as the series' most emotionally resonant moments.

Name : Drew Hunt / Alias : Chicago Reader
Mindless CGI spectacle overpowers every aspect of Peter Jackson's concluding Tolkien adaptation; like the other installments of this lumbering trilogy, it's more tech-demo than movie.

Name : Mick LaSalle / Alias : San Francisco Chronicle
[Freeman] could have made a great Bilbo. Instead he's the one thing that has made this trilogy bearable.

Name : Michael O'Sullivan / Alias : Washington Post
Jackson's storytelling at this point is so driven by green-screen trickery and digital legerdemain that he seems to have forgotten about human emotion.

Name : Joe Morgenstern / Alias : Wall Street Journal
The pleasure is intense, and mixed with awe. There is majesty here, and not just because we're in the presence of magnificently regal madness.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
Whose story is this? There's an old saying that history is written by the winners. The screenplay for "The Hobbit: The Battle of the Five Armies" must have been written by elves.

Name : Peter Travers / Alias : Rolling Stone
Talk about beating a dead orc. In dutifully completing his prequel trilogy to his Lord of the Rings triumph, Peter Jackson has sadly saved the worst for last. The Battle of the Five Armies is 20 percent inspiration, 80 percent desperation.

Name : Scott Foundas / Alias : Variety
The result is at once the trilogy's most engrossing episode, its most expeditious (at a comparatively lean 144 minutes) and also itsdarkest - both visually and in terms of the forces thatstir in the hearts of men, dwarves and orcs alike.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It was too much, and it was not enough.

Name : Alan Scherstuhl / Alias : Village Voice
It's sad that Hollywood filmmaking is so often about attempting to put the dreams of children onto our screens, but shouldn't it still be notable when someone actually manages it?

Name : Richard Corliss / Alias : TIME Magazine
If The Hobbit doesn't equal the achievement of Jackson's earlier Middle-earth movies - and, honestly, what could? - it is still, in sum, a thrilling effort.

Name : Steven Rea / Alias : Philadelphia Inquirer
If you want to see a Renaissance faire turned into an apocalyptic battlefield, this is the ticket.

Name : John Wenzel / Alias : Denver Post
It's a big, bold, schizophrenic pageant that still manages to work on a surprising number of levels - creative liberties and indulgences be damned.

Name : Kyle Smith / Alias : New York Post
It's adequately visionary, it's routinely spectacular, it breathes fire and yet somehow feels room-temperature.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It's designed to leave the audience drained and exhilarated, and from its opening scenes of exploding awesomeness there's no looking back.

Name : Tom Huddleston / Alias : Time Out
More battles, more creatures, more not-quite-comical asides, more stern speechifying and more gob-smackingly elaborate action set pieces.

Name : Michael Phillips / Alias : Chicago Tribune
By the second hour of The Battle of the Five Armies, the visual approach becomes a paradox: monotonously dynamic epic storytelling.

Name : Christopher Orr / Alias : The Atlantic
What is perhaps most depressing about Jackson's swollen Hobbit enterprise is the way it retrospectively diminishes his Lord of the Rings trilogy.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
This third installment of The Hobbit trilogy is allegedly the shortest of all of Peter Jackson's Tolkien films, but my theater must have been orbiting a black hole because I could swear it swallowed up 20 years of my life.

Name : A.A. Dowd / Alias : AV Club
All this plot unfolds like obligation, a paragraph of book-report summary bulked up to feature length.

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About American Sniper

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Name : Rex Reed / Alias : New York Observer
There's no freshness in either the domestic scenes or the combat sequences.

Name : Preston Jones / Alias : Fort Worth Star-Telegram/DFW.com
But the adrenaline can't replace perception, and despite Eastwood's deft staging of the Iraqi scenes, they don't bring viewers any closer to understanding why Kyle insists on repeatedly returning to the war zones.

Name : Richard Corliss / Alias : TIME Magazine
It's a gritty, confident portrait of a man whose life may have been somewhat messier than this Hollywood version.

Name : Kyle Smith / Alias : New York Post
After 40 years of Hollywood counterpropaganda telling us war is necessarily corrupting and malign, its ablest practitioners thugs, loons or victims, "American Sniper" nobly presents the case for the other side.

Name : Ignatiy Vishnevetsky / Alias : AV Club
American Sniper is imperfect and at times a little corny, but also ambivalent and complicated in ways that are uniquely Eastwoodian.

Name : Justin Chang / Alias : Variety
This harrowing and intimate character study offers fairly blunt insights into the physical and psychological toll exacted on the front lines, yet strikes even its familiar notes with a sobering clarity .

Name : Chris Nashawaty / Alias : Entertainment Weekly
The film's just a repetition of context-free combat missions and one-dimensional targets.

Name : David Denby / Alias : New Yorker
Both a devastating war movie and a devastating antiwar movie, a subdued celebration of a warrior's skill and a sorrowful lament over his alienation and misery.

Name : Joe Morgenstern / Alias : Wall Street Journal
Mr. Eastwood's film lets this good and anguished man speak for himself, and discover himself, at his own pace.

Name : Claudia Puig / Alias : USA Today
It's clearly Cooper's show. Substantially bulked up and affecting a believable Texas drawl, Cooper embodies Kyle's confidence, intensity and vulnerability.

Name : Kenneth Turan / Alias : Los Angeles Times
Eastwood's impeccably crafted action sequences so catch us up in the chaos of combat we are almost not aware that we're watching a film at all.

Name : Peter Travers / Alias : Rolling Stone
Bradley Cooper, as Navy SEAL Chris Kyle, and director Eastwood salute Kyle's patriotism best by not denying its toll. Their targets are clearly in sight, and their aim is true.

Name : A.O. Scott / Alias : New York Times
Less a war movie than a western - the story of a lone gunslinger facing down his nemesis in a dusty, lawless place - it is blunt and effective, though also troubling.

Name : James Berardinelli / Alias : ReelViews
American Sniper lifts director Clint Eastwood out of the doldrums that have plagued his last few films.

Name : Joshua Rothkopf / Alias : Time Out New York
Just as only Nixon could go to China, only Clint Eastwood could make a movie about an Iraq War veteran and infuse it with doubts, mission anxiety and ruination.

Name : Peter Rainer / Alias : Christian Science Monitor
As a piece of direction, it's as taut as anything [Eastwood's] ever done.

Name : Wesley Morris / Alias : Grantland
This movie is drowning in duty - to say nothing of hoary storytelling devices and one embarrassing scene after the next for Sienna Miller as Mrs. Kyle.

Name : Chris Vognar / Alias : Dallas Morning News
Though it never uses the term "PTSD," American Sniper, at its best, is a devastating portrait of post-traumatic stress disorder.

Name : Elizabeth Weitzman / Alias : New York Daily News
The best movies are ever-shifting, intelligent and open-hearted enough to expand alongside an audience. "American Sniper," Clint Eastwood's harrowing meditation on war, is built on this foundation of uncommon compassion.

Name : Rafer Guzman / Alias : Newsday
Cooper nails the role of an American killing machine in Clint Eastwood's clear-eyed look at the Iraq War.

Name : Amy Nicholson / Alias : L.A. Weekly
Cautiously, Eastwood has chosen to omit Kyle's self-mythologizing altogether, which is itself a distortion of his character. We're not watching a biopic.

Name : Inkoo Kang / Alias : TheWrap
"The result is not unlike watching a suspenseful but highly repetitive video game, especially since nearly every Iraqi is seen through Kyle's highly perched rifle scope."

Name : Stephen Whitty / Alias : Newark Star-Ledger
Clint Eastwood has directed war movies before, but never one that focused on a single warrior. And he has an amazing one here .

Name : Todd McCarthy / Alias : Hollywood Reporter
A taut, vivid and sad account of the brief life of the most accomplished marksman in American military annals, American Sniper feels very much like a companion piece-in subject, theme and quality-to The Hurt Locker.

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