About 12 Years A Slave

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Name : Colin Covert / Alias : Minneapolis Star Tribune
The film is both brutal to watch and stunning to contemplate, powerfully challenging audiences - particularly white audiences - to examine their consciences.

Name : Chris Vognar / Alias : Dallas Morning News
Every scene of 12 Years a Slave, and almost every shot, conveys some penetrating truth about America's original sin.

Name : Peter Debruge / Alias : Variety
This epic account of an unbreakable soul makes even Scarlett O'Hara's struggles seem petty by comparison.

Name : Steven Rea / Alias : Philadelphia Inquirer
It speaks to the courage and resilience of one man, the savagery of many, and the potential, for both good and for ill, in us all.

Name : Joshua Rothkopf / Alias : Time Out New York
It's not too soon to call 12 Years a Slave a great film-ruined, tremulously sad, surreal in its evil.

Name : Peter Travers / Alias : Rolling Stone
You won't be able to tuck this powder keg in the corner of your mind and forget it. What we have here is a blistering, brilliant, straight-up classic.

Name : Rene Rodriguez / Alias : Miami Herald
12 Years a Slave is at times difficult to watch but always impossible to turn away from.

Name : Richard Corliss / Alias : TIME Magazine
In the epic form of 12 Years a Slave, his most approachable, emotional film, McQueen escalates the tension.

Name : Michael Sragow / Alias : Orange County Register
One of the finest historical movies ever made.

Name : Claudia Puig / Alias : USA Today
The harrowing 12 Years a Slave is a mesmerizing period drama for the ages.

Name : David Edelstein / Alias : New York Magazine/Vulture
It's smashingly effective as melodrama. But McQueen's directorial voice-cold, stark, deterministic-keeps it from attaining the kind of grace that marks the voice of a true film artist.

Name : David Thomson / Alias : The New Republic
It is a film that necessity and education demand seeing.

Name : Mick LaSalle / Alias : San Francisco Chronicle
It provokes recognition in us of the very heart of darkness. It makes the unimaginable imaginable.

Name : Joe Morgenstern / Alias : Wall Street Journal
It seems certain to transcend the movie realm and become a new reference point in contemporary culture-a defining vision of what slavery looked like, and felt like, in the U.S. before the Civil War.

Name : J. R. Jones / Alias : Chicago Reader
Slavery here is not only a great moral darkness but a sweeping canvas for depicting the emotional deformities of the people who enforced and exploited the practice.

Name : Bill Goodykoontz / Alias : Arizona Republic
Slavery is revealed for the unrelenting horror that it was. About time.

Name : William Goss / Alias : Film.com
Northup's story was a true, terrible thing, and by virtue of telling it, the burdens of all American slaves are unflinchingly realized by Ejiofor and McQueen alike.

Name : Lou Lumenick / Alias : New York Post
A brutally powerful and emotionally devastating film that takes great pains to rip any lingering vestiges of romanticism from America's most shameful institution.

Name : Joe Neumaier / Alias : New York Daily News
A harrowing, unforgettable drama that doesn't look away from the reality of slavery and, in so doing, helps us all fully, truly confront it.

Name : Owen Gleiberman / Alias : Entertainment Weekly
12 Years a Slave is a movie about a life that gets taken away, and that's why it lets us touch what life is.

Name : Tom Huddleston / Alias : Time Out
The cumulative emotional effect is devastating: the final scenes are as angry, as memorable, as overwhelming as anything modern cinema has to offer.

Name : Alonso Duralde / Alias : TheWrap
McQueen and Ridley seem determined to obliterate any lingering Gone With the Wind-inspired notions that the antebellum South was a place of grace and charm, or that slavery was, in the euphemism of the day, merely a "peculiar institution."

Name : Michael Phillips / Alias : Chicago Tribune
A film this good, and this quietly distinctive in its style, is always welcome.

Name : Peter Howell / Alias : Toronto Star
Believe the Oscar buzz. Britain's Steve McQueen (Hunger, Shame) nails the horror of America's slavery shame but also finds humanity in one man's determination to free himself and return to his family.

Name : Andrew O'Hehir / Alias : Salon.com
"12 Years a Slave" offers no false Hollywood catharsis along with its muted happy ending, because we're not free from the curse of slavery yet. Looking at it, as it really was, is a start.

Name : Moira MacDonald / Alias : Seattle Times
"12 Years a Slave" isn't easy to watch, and it shouldn't be; it's one man's tragedy, but it's also the tragedy of countless thousands of souls beaten down, literally and metaphorically.

Name : Liam Lacey / Alias : Globe and Mail
12 Years a Slave, British director Steve McQueen's antebellum Southern drama, sets a new standard in realistically depicting American slavery.

Name : Christopher Orr / Alias : The Atlantic
12 Years a Slave is likely the most painful, clear-eyed feature ever made about American slavery. In that light, it almost seems faint praise to add that it will also likely prove to be the best film of the year.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
One of the best and most courageous films of the year.

Name : A.A. Dowd / Alias : AV Club
Channeling the evils of human bondage through the experiences of one weary figure, McQueen has constructed another intensely physical character study about a man trapped in his own flesh.

Name : Ann Hornaday / Alias : Washington Post
McQueen doesn't go in for a lot of flash edits or self-conscious visual flourishes to put viewers at ease; rather, he invites the audience to sit with him as he gazes, amazed, at man's inhumanity to man .

Name : Ty Burr / Alias : Boston Globe
Other movies and books have gone here, but few so far and with such overwhelming clarity of purpose.

Name : Todd McCarthy / Alias : Hollywood Reporter
A strong, involving, at times overstated telling of an extraordinary life story.

Name : Rafer Guzman / Alias : Newsday
"12 Years a Slave" works on so many levels - some topical, some timeless - that it's almost impossible to count them.

Name : Wesley Morris / Alias : Grantland
The power of McQueen's movie is in its declaratory style: This happened. That is all, and that is everything.

Name : Rex Reed / Alias : New York Observer
If the best films hold you in a captive vise, entertain you, keep you spellbound and teach you something at the same time, then 12 Years a Slave is outstanding-brave, courageous and unforgettable.

Name : James Berardinelli / Alias : ReelViews
The film offers a formidable indictment of the cruelty of which human beings are capable.

Name : Tom Long / Alias : Detroit News
"12 Years a Slave" lays out an institution so twisted and wrong that its honest portrayal has been avoided for centuries. Yes, it's dark and brutal. It needs to be.

Name : Richard Roeper / Alias : Richard Roeper.com
Brave performances throughout this magnificent film.

Name : Randy Myers / Alias : San Jose Mercury News
This is not medicine for America to swallow; it's filmmaking of the highest caliber.

Name : Manohla Dargis / Alias : New York Times
The genius of 12 Years a Slave is its insistence on banal evil, and on terror, that seeped into souls, bound bodies and reaped an enduring, terrible price.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
But the much talked-about 12 Years a Slave is more than a beautifully shot art piece. It's history made violently real.

Name : Dana Stevens / Alias : Slate
So overpowering is this film's simple, horrible, and almost entirely true story that it's hard to get enough distance on 12 Years a Slave to poke at its inner workings.

Name : Peter Rainer / Alias : Christian Science Monitor
Steve McQueen's 12 Years a Slave, written by John Ridley and starring Chiwetel Ejiofor, is a necessary corrective to the antics of Django Unchained, not to mention Mandingo and its ilk.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Remarkable.

Name : Stephanie Zacharek / Alias : Village Voice
Aside from a characteristically nuanced lead performance by Chiwetel Ejiofor. it's a picture that stays more than a few safe steps away from anything so dangerous as raw feeling.

Name : David Denby / Alias : New Yorker
12 Years a Slave is easily the greatest feature film ever made about American slavery.

Name : Bob Mondello / Alias : NPR
It is Ejiofor - bewildered, sorely tested, morally towering - whose staggered dignity anchors the film.

Name : Jocelyn Noveck / Alias : Associated Press
The film truly belongs to Ejiofor, whose big, soulful eyes seem to register so many things at once: Shock, pain, grit, determination, abject despair at times, cautious hope at others - and always, dignity.

Name : Kenneth Turan / Alias : Los Angeles Times
When a director who never ever blinks takes on a horrific subject, a nightmare in broad daylight is the inevitable result. Welcome, if that is the right word, to the world of 12 Years a Slave.

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