About Inferno

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Screen Of Inferno

Comment For Inferno Streaming Film En Entier Streaming VF

Name : Geoff Berkshire / Alias : Variety
A project that boasts all the appeal (and aroma) of a carcass rotting in the rainforest.

Name : Todd Gilchrist / Alias : TheWrap
A serviceable reintroduction to Roth's idiosyncratic brand of horror, but it fails to either offend or exhilarate, instead chronicling the misadventures of a group of student activists with more technical acuity than singularity.

Name : David Edelstein / Alias : New York Magazine/Vulture
The point is to feel something visceral, extreme. Eli Roth is extremely extreme. My head is off to him.

Name : A.A. Dowd / Alias : AV Club
The Green Inferno fancies itself a gory skewering of what Roth has repeatedly referred to as "slacktivism." But do his heroes/victims, who at one point put themselves directly in the line of fire, really qualify?

Name : Kyle Smith / Alias : New York Post
Finish your popcorn early if you're going to "The Green Inferno," and save the bucket to barf in.

Name : Rafer Guzman / Alias : Newsday
A nasty treat for those with strong stomachs.

Name : Michael Nordine / Alias : Village Voice
The more brutal this becomes, the less anything other than blood and guts seems to matter. Just because watching every gory detail of a man getting torn limb from limb turns the stomach doesn't mean it quickens the pulse.

Name : Barry Hertz / Alias : Globe and Mail
Whatever criticism you want to throw at Roth, at least the director stays true to his singular, repulsive vision: His cannibals-gone-wild tale is a work of unrelenting and squishy terror.

Name : Michael Ordona / Alias : San Francisco Chronicle
"The Green Inferno" is a breezy college comedy. Until it's not. Then it's really, really not.

Name : Simon Abrams / Alias : RogerEbert.com
"The Green Inferno" is not exactly a feel-good film, but it gets a very particular job done.

Name : Martin Tsai / Alias : Los Angeles Times
The film is measured and executed effectively to satiate horror fans' bloodlust, yet its underlying messages are just so repugnant.

Name : Neil Genzlinger / Alias : New York Times
The movie is a revisiting of what is often called the cannibal subgenre, a vile strain of films in which Westerners encounter tribes in the jungle.

Name : Scott Tobias / Alias : NPR
The Green Inferno can easily be dismissed as juvenilia, both in its sneering rebuke of political correctness and in its zeal for unearthing a horror tradition that should have been laid to rest.

Name : Inkoo Kang / Alias : TheWrap
Eli Roth's faux-smart, long-shelved, and exploitative-as-hell cannibal tale "The Green Inferno" is a remarkably perfect example of horror's unexamined white privilege.

Name : Katie Walsh / Alias : Tribune News Service
A flop of a horror film that overestimates gore for actual scares.

Name : Alison Willmore / Alias : BuzzFeed News
Any sense that the kids die because they never bothered to research the tribe they were trying to save is undermined by the movie's treatment of the natives as just as abstract.

Name : Chris Nashawaty / Alias : Entertainment Weekly
The Green Inferno is less a riff on spaghetti splatter flicks like Cannibal Holocaust than a desperate-to-shock pastiche of guts and gore served with a wink to audiences with strong stomachs. You know who you are.

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About Amityville: The Awakening

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Screen Of Amityville: The Awakening

Comment For Amityville: The Awakening Peliculas Gratis Para Descargar

Name : Rick Groen / Alias : Globe and Mail
A sustained if wildly unco-ordinated assault on our senses (our emotions are clearly not on his battle map), complementing those feverish jump cuts with a cliche of equally stunning proportions.

Name : David Hiltbrand / Alias : Philadelphia Inquirer
Despite Andrew Douglas' tightly focused direction, this is a cheap, calculated scare.

Name : Roger Ebert / Alias : Chicago Sun-Times
The problem with The Amityville Horror is that, in a very real sense, there's nothing there.

Name : Gene Seymour / Alias : Newsday
The movie is a procession of unregenerate B-level goosing. But there's definitely a smirk beneath the muck.

Name : Robert Denerstein / Alias : Denver Rocky Mountain News
The filmmakers have managed to take a mediocre movie and make it worse.

Name : Stephanie Zacharek / Alias : Salon.com
I wasn't shocked by The Amityville Horror, or outraged by it: I felt nothing but disdain.

Name : Peter Travers / Alias : Rolling Stone
This house springs so many FX shocks it plays like a theme-park ride. Result? It's not scary, just busy.

Name : Rex Reed / Alias : New York Observer
A few lines get laughs, but the horror is standard fare, without a shred of innovation.

Name : Ruthe Stein / Alias : San Francisco Chronicle
It retains the cheesy look of the 1979 original, pure schlock not gussied up to appear to be anything else.

Name : Michael O'Sullivan / Alias : Washington Post
A gory lark, a cheap-thrill-packed love poem to the history of the contemporary horror film.

Name : James Berardinelli / Alias : ReelViews
In a ghost story, the narrative doesn't have to be a model of originality or coherence, but it needs to support the scares. In The Amityville Horror, the writing is so bad that it detracts from the 'boo!' moments and creepy interludes.

Name : Lou Lumenick / Alias : New York Post
Shoddily made, boring and, most shockingly, without a single decent scare.

Name : Moira MacDonald / Alias : Seattle Times
In theory, this should all be scary, but it just isn't. You giggle at the B-movie cheesiness of it.

Name : Kirk Honeycutt / Alias : Hollywood Reporter
Shorter and punchier but nearly as hokey as the original.

Name : Kevin Thomas / Alias : Los Angeles Times
The film is a terrific scare show, fast and furious, made with a lot of style and energy, packing plenty of jolts yet never lingering morbidly over horrific images.

Name : Wesley Morris / Alias : Boston Globe
Not content to remake an old, mediocre horror movie, this Amityville takes its cues from current mediocre horror movies, too. This one is frightening only if you can't remember the last throwaway movie that leaned on all the same tricks.

Name : Bob Longino / Alias : Atlanta Journal-Constitution
There's nothing this Amityville won't beg, borrow, steal from or fabricate in trying to make your neck hairs sit up and quiver.

Name : John Monaghan / Alias : Detroit Free Press
The latest in a long line of cheap horror film remakes that combine familiar names and stories with slash-cut editing and computer-generated effects.

Name : Philip Wuntch / Alias : Dallas Morning News
Watching The Amityville Horror is about as enjoyable as attending a Halloween party hosted by people you can barely tolerate.

Name : Jack Mathews / Alias : New York Daily News
A cut-to-order MTV hack attack. Audiences will be stunned not because they have been frightened but by how obvious and safe the whole thing is.

Name : Connie Ogle / Alias : Miami Herald
Moviegoers are more cynical now than they were in 1979, and most will laugh off the moments meant to be tense. You can't really blame them.

Name : Roger Moore / Alias : Orlando Sentinel
The original is still creepy, but this Horror will have fans jumping in their seats and talking back to the screen.

Name : Lisa Rose / Alias : Newark Star-Ledger
The startling thing about the remake is that it's one of the better horror films to hit screens in recent months, thanks to its refusal to take itself too seriously.

Name : Chuck Wilson / Alias : L.A. Weekly
Never buy a house with a basement, and while you're at it, avoid old Dutch Colonials in which the previous occupants were murdered by an eldest son possessed by demons.

Name : Tom Long / Alias : Detroit News
Completely cheesy and mildly enjoyable.

Name : Manohla Dargis / Alias : New York Times
Low-key creepy rather than outright scary, the new Amityville marks a modest improvement over the original.

Name : David Ng / Alias : Village Voice
The Amityville Horror is a Xerox so tattered and faded that it's impossible to determine who's to blame for the overproduced mediocrity before our eyes.

Name : Lisa Kennedy / Alias : Denver Post
Since Scream poured irony into the mix, it has become mighty hard to write a line of dialogue that doesn't elicit winks and nods. We all know where the mayhem's leading.

Name : Sean Daly / Alias : Washington Post
You'll want to get out of Amityville long before the Lutzes do.

Name : Bruce Westbrook / Alias : Houston Chronicle
Like good drive-in fare from the '70s, this is all about sensation.

Name : Scott Foundas / Alias : Variety
Begins slavishly faithful to its low-key 1970s predecessor then sledgehammers auds with a numbing succession of shock edits and over-the-top horror effects.

Name : Colin Covert / Alias : Minneapolis Star Tribune
If they scare up enough business to perpetuate this sort of retread, that will be the real horror.

Name : Bill Muller / Alias : Arizona Republic
If star Ryan Reynolds wants to scare us, why not just lock us in a room and make us watch Van Wilder over and over? Or have girlfriend Alanis Morissette talk about her past relationships?

Name : Claudia Puig / Alias : USA Today
In this Amityville, the performances are bad, the special effects ho-hum, and it's not even particularly scary.

Name : Peter Howell / Alias : Toronto Star
Brevity is the single best thing about it.

Name : Owen Gleiberman / Alias : Entertainment Weekly
Nothing gets in the way of the rote staging, the ham-handed predictability, the feeling that you've been to this house, and yawned at these ghosts, once too often.

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